Review: The bulletproof philosophy of the double-Prometheus-winning V for Vendetta, and why the graphic novel is more insightful and pro-liberty than the vivid film

By John C.A. Manley

The V for Vendetta graphic novel – inducted in 2006 into the Prometheus Hall of Fame – has been on my “Why haven’t I read this yet?” reading list for many years.

Written by Alan Moore and illustrated by David Lloyd in 1989, its fame doubled with James McTeigue’s 2005 film adaptation, written and produced by the Wachowkis and starring Hugo Weaving.

For the last two decades, V’s smiling mask has been haunting me, asking why I have not yet read this classic of pro-liberty fiction. Well, last month, I finally read it while narrating the artwork to my blind son, Jonah (forcing me to translate every sneer, smile and shadow into words). Despite the story’s numerous flaws — which oddly enough almost enhance its philosophical flair — I feel it’s a five-star work of art.

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“Fly Me to the Moon” – The Smithsonian museum highlights the power of science fiction in sparking advances in air and space



By Michael Grossberg

On a recent visit to the Smithsonian museums in Washington, D.C., I was delighted to discover some recognition of the work of a Prometheus-winning author. And not just any author, but the Golden Age Grand Master who has received more Prometheus Awards than anyone else: Robert A. Heinlein.

Destination Moon, a 1950 Technicolor feature film co-written by Heinlein, is highlighted in the Destination Moon gallery (Gallery 206) at the Smithsonian’s National Air and Space Museum.

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Voting for the Prometheus Awards: How one LFS member ranked his Best Novel ballot (revealed on a YouTube video) on the verge of tonight’s July 4 deadline


By Michael Grossberg

How do Libertarian Futurist Society members rank the Best Novel finalists as they fill out the final Prometheus Awards ballot?

Members typically keep their rankings private, while the LFS vote-counting committee maintains strict confidentiality about the results, aside from the announcement of the winners. Today, though, on the verge of the midnight July 4 voting deadline, one LFS member chose to post a YouTube video explaining his rankings.

It’s the latest yeoman effort by novelist John C.A. Manley, who throughout this past awards-finalist season has repeatedly helped raise the visibility of the Prometheus Awards by posting YouTube discussions of award finalists and by reviewing each Best Novel finalist on his BlazingPineCones website.

“Help promote the fiction you want to see in the world,” Manley said in his email today to BlazingPineCones subscribers.

That’s an apt statement, which helps illuminates his (and our) vision of why the Prometheus Awards is important and clarifies why Manley has invested so much time and energy this year in highlighting our award.

So how did Manley, himself a Prometheus Best Novel nominee for All the Humans Are Sleeping, rank the five Best Novel finalists?
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Reading Rand as literature: A surprising dialogue between two literary scholars about Atlas Shrugged


By Michael Grossberg

Ayn Rand’s ideas have become so polarized and politicized that few people seem capable of appreciating her fiction on its own literary terms. It’s rare to come across an honest dialogue between two highly educated, rational and open-minded people about Rand’s Atlas Shrugged as simply a novel.

Henry Oliver and Hollis Robbins did just that in a fascinating and surprising dialogue, which I only recently discovered. Often illuminating and with fresh insights free from most conventional views of Rand and her magnum opus, their conversation is worth highlighting on the Prometheus Blog in order to bring it to the attention of LFS members and a wider group of readers.

“We are going to have a conversation about Atlas Shrugged, and we’re going to, as you say, talk about it as a novel. It always gets talked about as an ideology. We are very interested in it as a novel and as two people who love the great novels of the 19th century,” Oliver said in introducing their conversation on his Common Reader blog at common reader.co.uk.

Their wide-ranging discussion centered on Atlas Shrugged “in conversation with the great novels of the past, Rand’s greats skills of plotting, drama, and character, and what makes Atlas Shrugged a serious novel, not just a vehicle for ideology.”

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How to approach A.I. ethically: Chronicles magazine reminds us of the wisdom of C.S. Lewis and George Orwell

By Michael Grossberg

It’s always encouraging to see a Prometheus-recognized writer remembered in any contemporary article, especially about one of the hottest, most divisive and misunderstood issues of our day.

C.S. Lewis (Creative Commons license)

But it’s wonderful – and rare – to find two such authors remembered in the same article, especially one that quotes them with accuracy and insight.

The enduring wisdom of both C.S. Lewis and George Orwell is at the core of a sensible article about Artificial Intelligence by Benjamin M. Osborne in Chronicles magazine.

Orwell, of course, is a two-time Prometheus Hall of Fame inductee for his novels Nineteen Eighty-Four and Animal Farm. Lewis, meanwhile, is again a Hall of Fame finalist this year for his 1945 science fiction novel That Hideous Strength.

So what ideas and insights by Lewis and Orwell are explored and applied in Osborn’s June 2026 article, “What Would C.S. Lewis Have Thought of AI?

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Guess who’s at LibertyCon this weekend? Three of this year’s Prometheus Best Novel finalists, just for starters

By Michael Grossberg

Quite a few authors and publishers recognized by the Prometheus Awards are participating at LibertyCon this weekend.

Left to right: Prometheus Best Novel finalists J. Kenton Pierce, Sarah Hoyt and Karl K. Gallagher at LibertyCon 38 (Photo courtesy of Gallagher)

LibertyCon 38, which continues through June 28 in Chattanooga, Tennessee, has attracted a majority of this year’s Prometheus Best Novel finalists.

That includes Karl K. Gallagher (War by Other Means), Sarah Hoyt (No Man’s Land) and J. Kenton Pierce (A Kiss for Damocles) – who just sent us a photo of themselves at the con “for proof.”

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A final reminder: Vote for the Prometheus Awards by July 4


By Michael Grossberg

Which finalist will win the Prometheus Award for Best Novel? And which work will be inducted into the Prometheus Hall of Fame?

Libertarian Futurist Society members will help answer those questions by participating in the final stage of judging this year’s Prometheus Awards.

With the July 4 voting deadline just a few days away, it’s not too late for LFS members to submit their ballots.

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Imagining Travis Corcoran’s two Prometheus-winning Aristillus novels as movies on an IMAX screen


By Michael Grossberg

Which Prometheus Award winners would you like to see on screen someday?

Travis Corcoran wins his first Prometheus Award (photo courtesy of author)

So far, 17 Prometheus Award-winners have been adapted with varying degrees of success to the large or small screen or have been recognized as original movies – including George Orwell’s Animal Farm, most recently adapted for the third time into a 2026 animated film.

When I asked my fellow Prometheus Best Novel judges which other winning works they most yearn to see made into a movie or TV series, Lowell Jacobsen chose two related novels by the same author: Travis Corcoran.

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The Orwell Prize fiction finalists reflect dual focus on both style and content, like the Prometheus Awards

By Michael Grossberg

Not everyone is familiar with the British-based Orwell Prizes, which recently announced their slate of 2026 finalists.

Sponsored and administrated by The Orwell Foundation in the United Kingdom, the prizes aim to recognize work that comes closest to George Orwell’s ambition “to make political writing into art.”

Orwell certainly achieved that goal with his most widely acclaimed and enduring novels Nineteen Eighty-Four and Animal Farm, both later inducted into the Prometheus Hall of Fame for Best Classic Fiction. So it’s nice to see another award honoring Orwell’s spirit.

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L. Neil Smith’s The Probability Broach: The Prometheus winner that one Best Novel judge dreams of seeing on screen someday


By Michael Grossberg

It’s relatively rare for a Prometheus-winning work of pro-freedom science fiction or fantasy to be adapted into a movie or for television. But that happened this year, with the recent 2026 release of an animated film of George Orwell’s Animal Farm, inducted in 2011 into the Prometheus Hall of Fame.

While the misconceived third film version of Orwell’s anti-authoritarian and anti-communist classic fable proved disappointing, our hopes remain high for more Prometheus-winning novels or stories to be filmed – and some are already in the works.

Meanwhile, sparked by this year’s film release, I asked Libertarian Futurist Society members I work with as fellow Best Novel judges which Prometheus-winning works they’d like to see on screen.

Adam Tuchman’s top choice is The Probability Broach, L. Neil Smith’s alternate-history SF novel that won the 1982 Best Novel award.

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