“With Folded Hands …” Hall of Fame Award received by Williamson Collection

The Hall of Fame award for  “With Folded Hands …” by Jack Williamson has been received by the Jack Williamson Science Fiction Collection at the Eastern New Mexico University library. They just moved into a newly remodeled building, and will add it to their permanent display when they get more settled. For now, it’s comfortably resting between Williamson’s two Nebula awards.

The Encylopedia of Science Fiction has a long entry for Jack Williamson.

Travis Corcoran’s acceptance speech for ‘The Powers of the Earth’

Travis Corcoran

Travis Corcoran won the Prometheus Award for his excellent novel, The Powers of the Earth. He couldn’t make it to the Worldcon for this weekend’s awards ceremony, but here is the text of his acceptance speech, read by Chris Hibbert. 

I’m sorry I couldn’t be here tonight, but I live on a farm and it’s harvest season in the Granite State. Live free or die!

I first heard of the Prometheus Award a quarter century ago and put “writing a novel worthy of winning it” on my bucket list. It was an amazing honor to be nominated alongside so many other worthy authors, and I can still barely wrap my head around having won.

Eric S Raymond said it best: “Hard SF is the vital heart of the field”. The core of hard science fiction is libertarianism: “ornery and insistent individualism, veneration of the competent man, instinctive distrust of coercive social engineering”.

I agree; science fiction is best when it tells stories about free people using intelligence, skills and hard work to overcome challenges.

This vision of science fiction is under attack by collectivists, and hard SF and libertarian SF are being pushed out of publisher lineups and off of bookstore shelves.

Very well. We have intelligence, we have skills and we’re not afraid of hard work. Let’s rise to this challenge!

The Powers of the Earth is a novel about many things.

It’s a war story about ancaps, uplifted dogs, and AI fighting against government using combat robots, large guns, and kinetic energy weapons.

It’s an engineering story about space travel, open source software, tunnel boring machines, and fintech.

It’s a cyberpunk story about prediction markets, CNC guns, and illegal ROMs.

It’s a story about competent men who build machines, competent women who pilot spaceships, and competent dogs who write code.

It’s a novel that pays homage to Heinlein’s The Moon is a Harsh Mistress, which in turn pays homage to the American Revolution.

. . . But the historical inspiration for the novel was not, actually, the American Revolution. It’s the founding of the Icelandic Free State almost a thousand years earlier. The difference is subtle, but important.

The American Revolution was an act of secession: one part of a government declaring itself independent and co-equal, and continuing to act as a government. The establishment of the Icelandic Free State is different in two important particulars. First, it did not consist of people challenging an existing government, but of people physically leaving a region governed by a tyrant. And second, the men and women who expatriated themselves from the reign of Harald Fairhair did not create a government – they wanted to flee authoritarianism, not establish their own branch of it!

Thus we get to one of the most important themes of The Powers of the Earth and its sequel, Causes of Separation: the concepts of Exit, Voice, and Loyalty. The tri-chotomy was first codified in an essay—titled “Exit, Voice, and Loyalty: Responses to Decline in Firms, Organizations, and States”—by economist Albert Hirschman in 1970.

An aside: I love that this essay was penned while Americans walked on the moon.

Hirschman argued that when a vendor or government fails to deliver, people can either remain loyal, can speak out within the system, or can exit the system.

The problem we Americans have in 2018 is that there is no more frontier. Like the engineers in Christopher Priest’s “The Inverted World”, we moved west until we hit an ocean, and that has been our doom.

When there is a frontier, it is impossible to deny that the pie is growing. Want a farm? Go hack one out of the forest. Want a house? Go build one.

Once the frontier is gone, value can still be created ab initio. The pie is not fixed. For the price of a cheap computer you can create a novel or a software package. With a $100 video camera you can be a garage Kubrick. With a free Craigslist ad you can be a dog-walking entrepreneur.

. . . But the closing of the frontier made it easier for the collectivists to argue that the pie is fixed. And—worse yet—it made it impossible for the rest of us to get away.

We’d all love to live in David Friedman’s polycentric legal system, Robert Nozick’s meta-utopia, Moldbug’s patchwork, or Scott Alexander’s archipelago – a place where each of us could live by rules we choose, and people who preferred another set could live by those… but we can’t, and that’s for one reason and one reason alone: the collectivists who can’t bear to let anyone, anywhere, be ungoverned.

Totalitarian ideologies – Nazism, Communism, Islamofascism, Progressivism – all subscribe to the Mussolini quote “All within the state, nothing outside the state, nothing against the state.”

The Nazi sees any area not under Nazi control as a threat.

The communist sees any area not under communist control as a threat.

The Islamofascist sees any area outside of Dar al Islam as Dar al-Harb—a populace to be subjugated.

Collectivists sees anything not under collectivist control as a threat—and as an opportunity.

A threat, because areas not under collectivist control always work better. It is no accident that just as the Soviets jammed broadcasts from the west, Nazis outlawed American music, Chinese built a Great Firewall, so too do progressives shadow-ban free voices on Twitter and Facebook and expel people from conventions.

An opportunity, because of what totalitarians do when they see a patch of freedom: they try to take it over. “All within, nothing outside”.

When the patch of freedom is a state, we get the long march through the institutions, as outlined by communist Antonio Gramsci and refined by communist Rudi Dutschke. First they become teachers, then they influence the students, then they take over the courts . . . and then it’s not too long until some O’Brien is holding up four fingers to some Winston Smith, crushing out the last of the wrongthink.

When the patch of freedom is a subculture the mechanism is different—it’s discussed in the brilliant essay “Geeks, MOPs, and sociopaths in subculture evolution” by David Chapman.

One core attribute of totalitarians is that they don’t create, they steal. And because they steal, they are both confused by and hate those who do create. As Barrack Obama said “You didn’t build that.” As the internet meme says: “You made this? <pause> I made this.”

Since the first Worldcon in 1939 science fiction has been a libertarian territory under attack from authoritarians. Futurian Donald Wollheim was a communist, and argued that all of science fiction “should actively work for the realization of the . . . world-state as the only . . . justification for their activities”.

Wollheim failed with his takeover in 1939—he was physically removed from Worldcon—but he started a Gramscian long march through the institutions, and it worked. In the current year conventions, editors, and publishing houses are all cordy-cepted. The sociopaths have pushed the geeks out and have taken over the cultural territory.

“You made this? <pause> I made this.”

When the state tries to take your home, they come with guns, and you have to fight them with guns, if at all.

When a subculture tries to take your home, they come with snark and shame and entryism . . . and you fight them by making better art.

The bad news for us libertarians is that the cities we built have fallen. The publishers? Gone. The bookstore shelves? Gone.

But what of it? We have Amazon, we have print on demand, we have Kickstarter.

And, most importantly of all, we have the vital heart, the radiant core of science fiction: we can tell great stories about ornery individualism, about competent men and women using skills and hard work to overcome challenges. This is the one thing the collectivists can never steal from us, because it is antithetical to their nature.

There is not an ocean in front of us, dooming us to captivity—there is only sky. The frontier is still open.

Onward!

Harlan Ellison has died

Harlan Ellison (Creative Commons photo)

Award-winning author Harlan Ellison has died. He was 84. Wikipedia biography here. 

Ellison won the Prometheus Hall of Fame Award in 2005 for his short story, “‘Repent, Harlequin!’ Said the Ticktockman.” He made a gracious video to thank us. 

The Los Angeles Times has posted a long obit. And John Scalzi wrote a nice piece for the same paper. 

 

 

 

J. Neil Schulman completes new novel [UPDATED]

Author J. Neil Schulman, a two-time winner of the Prometheus Award, announced on Facebook that he has completed his fourth novel, The Fractal Man. Apparently it will be available soon. UPDATE: You can buy it now as a Kindle ebook for just 99 cents. If you don’t have an Amazon device, use a Kindle app to read it on your tablet or phone.

“I just finished my fourth novel, The Fractal Man. Chapters 1-25 (out of 35) are up for free reading at the publisher’s website http://stevehellerpublishing.com while we format and proof the complete Kindle edition which, when ready, will go up at Amazon for $0.99,” he reports.

Schulman won the Prometheus Award in 1984 for The Rainbow Cadenza. He also won the Prometheus Hall of Fame Award in 1989 for Alongside Night. A third novel, Escape from Heaven, was a finalist for the 2002 Prometheus Award.

Schulman also has written nonfiction books; see the bibligraphy at the Wikipedia bio. 

Radio drama production of ‘Lone Star Planet’

The Atlanta Radio Theatre Company in performance.

The Atlanta Radio Theatre Company has done a great many audio dramas, including plenty of science fiction. And now the company has announced it plans a series of dramatizations of libertarian science fiction classics — beginning with Lone Star Planet by H. Beam Piper, which was recently released and is available now for purchase and downloading. 

It’s an adaptation of a work that won the Prometheus Hall of Fame Award in 1999. 

Here’s more from William Allan Ritch, president of the Atlanta Theatre Company:

“Lone Star Planet had a soft release (within the local SF conventions) last year. This year we have started podcasting it and making it available for paid downloads.It is a finalist for the Mark Time Awards (episodes #3 and #4 submitted) Mark Time Awards – as given by the Hear Now Festival (formerly The National Audio Theatre Festival.)

“Other libertarian works that are getting imminent are Moon of Ice_by Brad Linaweaver and The Weapon Shops of Isher by A. E. van Vogt. We are working on more. Some are public domain and some we have purchased the rights from the author.

Lone Star Planet was adapted first as a 1 hour play, which was a sever condensation of the novel,. It was performed at several SF conventions – but not offered for sale. It was available for a free podcast – one of our monthly presentation of recordings of our live show,. The full version is about 3 hours long and divided into 25-30 min episodes.

“The writer who adapted the book is Ron N. Butler and I am the director. The producer is David Benedict.”

 

 

 

Podcast with Prometheus Award nominees (Andy Weir! Sarah Hoyt! Ken MacLeod!) etc.

“Torchship” trilogy author Karl Gallagher has organized a podcast featuring most of the authors of this year’s group of Prometheus Award nominees. The podcast will be broadcast live at 2 p.m. April 14 (that’s a Saturday) on Daddy Warpig’s Geek Gab.

Here again are the nominees:

* Drug Lord: High Ground by Doug Casey and John Hunt (High Ground Books)
* Powers of the Earth, by Travis Corcoran (Morlock Publishing)
*Torchship, Torchship Pilot and Torchship Captain, by Karl Gallagher (Kelt Haven Press)
* Darkship Revenge, by Sarah Hoyt (Baen Books)
* The Corporation Wars: Emergence by Ken MacLeod (Orbit Books)
Artemis, by Andy Weir (Crown Books)

Gallagher, who organized the event, says all of the authors have agreed to take part, except for Casey and Hunt, who have schedule conflicts.

Gallagher reports, “We’ll also be on the Krypton Radio ‘Event Horizon’ but it’s not scheduled yet. The host is reading the books to prepare. That’s recorded in advance so we should be able to find a time for everyone.”

 

 

 

 

Karen Anderson has died

Karen Anderson around 1965, from Astrid Anderson’s Facebook post. 

Karen Anderson has died. She was the widow of Poul Anderson, and co-authored a number of books with her husband.

Anderson is believed to be the first person to use the term “filk music” in print. She was active in costuming. The Andersons’ daughter Astrid Anderson, who is married to SF author Greg Bear, also has been active in costuming.

From Astrid Bear’s posting on Facebook: “My mother, Karen Anderson, died last night. It was a peaceful and unexpected passing — she died in her bed and was found by the Sunday visiting nurse. Thank you to Martin Tays for being on the ground and being there today. Memorial gathering plans to be announced later, but in the meantime, raise a glass to the memory of a fine woman. If you are moved to make a donation, please consider the SFWA Emergency Medical Fund or the UCLA Medical School.”

Karen Anderson attended the first LFScon in 2001 in Columbus, Ohio, as part of Marcon, to speak on LFS panels and also to accept the Prometheus Special Lifetime Achievement Award for her ailing husband Poul Anderson, who at the last minute couldn’t make the trip because of illness.

“With her personal warmth, big smile, intelligence, insight and broad knowledge and perspective on golden-age sf and the legendary authors who wrote it, Karen made a memorable impression on those who attended LFScon/Marcon,” said Michael Grossberg, who organized the first LFScon in 2001.

 

Neal Stephenson wins 2018 Heinlein Award

 

Neal Stephenson (Creative Commons photo) 

Neal Stephenson, a favorite of many of us in the Libertarian Futurist Society, has won the 2018 Robert A. Heinlein Award.

The award is given for “outstanding published works in science fiction and technical writings that inspire the human exploration of space.”

Stephenson has won the Prometheus Award twice, for Seveneves and The System of the World, and our Hall of Fame Award, for Cryptonomicon. Heinlein has won the Hall of Fame Award seven times for works such as The Moon Is a Harsh Mistress. 

The Baltimore Science Fiction Society has an article with more information on the Heinlein Award, including a list of past winners.

Our latest ‘Hall of Fame’ nominees span many decades

Rudyard Kipling

The Prometheus Hall of Fame Award honors classic SF that promotes individual liberty, and with our current crop of nominees, we’ve reached across decades of work — one of the nominations is for a Rudyard Kipling story published in 1912, and we also have work from the 1940s, the 1960s and the 1980s. Official press release follows.

— Tom Jackson

The Libertarian Futurist Society has selected five finalists for the 2018 Hall of Fame Award. This year’s finalists are:

• “As Easy as A.B.C.,” a short story by Rudyard Kipling (first published 1912 in London Magazine): In the second of his “airship utopia” stories, an unpopular minority in a future society calls for the revival of democracy, and a largely hands-off world government is called in to protect them from mob violence.

•”With Folded Hands . . .,” a short story by Jack Williamson (first published 1947 in Astounding Science Fiction): A cautionary tale of a future society under the control of entirely benevolent AIs.

•”Starfog,” a short story by Poul Anderson (first published 1967 in Analog): An agent of a mutual aid association spanning many solar systems seeks a way to carry out a large-scale project without taxation or central planning.

• “Conquest by Default,” a short story by Vernor Vinge (first published 1968 in Analog): Vernor Vinge’s first exploration of the possible form of an anarchistically organized society, set on a post-nuclear war Earth visited by an alien culture.

• The Island Worlds, a novel by Eric Kotani and John Maddox Roberts (first published 1986 by Baen Books): A libertarian independence movement in the asteroids struggles against domination by an Earth-based bureaucracy—and its own disagreements over strategies for attaining freedom.

In addition to these nominees, the Hall of Fame Committee considered six other works: “ILU-486,” by Amanda Ching; That Hideous Strength, by C.S. Lewis; 2112, by Rush; A Time of Changes, by Robert Silverberg; “Harrison Bergeron,” by Kurt Vonnegut; and The Once and Future King and The Book of Merlyn, by T.H. White, as a combined nomination.

The final vote will take place in mid-2018. All Libertarian Futurist Society members are eligible to vote. The award will be presented at a major science fiction convention.

Nominations for the 2019 Hall of Fame Award can be submitted to committee chair William H. Stoddard (halloffame at this domain) at any time. All LFS members are eligible to nominate. Nominees may be in any narrative or dramatic form, including prose fiction, stage plays, film, television, other video, graphic novels, song lyrics, or epic or narrative verse; they must explore themes revelant to libertarianism and must be science fiction, fantasy, or related genres.

The Libertarian Futurist Society also presents the annual Prometheus Award and welcomes new members who are interested in science fiction and the future of freedom. More information is available at our website, www.lfs.org.