Review: The Fractal Man by J. Neil Schulman

J. Neil Schulman

By Eric Raymond

The Fractal Man (written by J.Neil Schulman, now available on Amazon) is a very, very funny book – if you share enough subcultural history with the author to get the in-jokes.

If you don’t – and in particular if you never met Samuel Edward Konkin – the man known as known as “SEKIII” to a generation of libertarians and SF fans before his tragically early death in 2004 – it will still be a whirligig of a cross-timeline edisonade, but some bits might leave you wondering how the author invented such improbabilities. But I knew SEKIII, and if there was ever a man who could make light of having a 50MT nuclear warhead stashed for safekeeping in his apartment, it was him.
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J. Neil Schulman completes new novel [UPDATED]

Author J. Neil Schulman, a two-time winner of the Prometheus Award, announced on Facebook that he has completed his fourth novel, The Fractal Man. Apparently it will be available soon. UPDATE: You can buy it now as a Kindle ebook for just 99 cents. If you don’t have an Amazon device, use a Kindle app to read it on your tablet or phone.

“I just finished my fourth novel, The Fractal Man. Chapters 1-25 (out of 35) are up for free reading at the publisher’s website http://stevehellerpublishing.com while we format and proof the complete Kindle edition which, when ready, will go up at Amazon for $0.99,” he reports.

Schulman won the Prometheus Award in 1984 for The Rainbow Cadenza. He also won the Prometheus Hall of Fame Award in 1989 for Alongside Night. A third novel, Escape from Heaven, was a finalist for the 2002 Prometheus Award.

Schulman also has written nonfiction books; see the bibligraphy at the Wikipedia bio. 

Radio drama production of ‘Lone Star Planet’

The Atlanta Radio Theatre Company in performance.

The Atlanta Radio Theatre Company has done a great many audio dramas, including plenty of science fiction. And now the company has announced it plans a series of dramatizations of libertarian science fiction classics — beginning with Lone Star Planet by H. Beam Piper, which was recently released and is available now for purchase and downloading. 

It’s an adaptation of a work that won the Prometheus Hall of Fame Award in 1999. 

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Prometheus Awards podcast available for downloading and streaming

Did you miss the live podcast of Prometheus Award authors on the Geek Gab podcast? Fear not — there are time binding options!

You can listen to it on YouTube. You also have the option of searching for it on your favorite podcasting app; search for “Geek Gab” at the iTunes store or the Google Play store.

The podcast features authors of this year’s Prometheus Award nominees, with Ken MacLeod, Andy Weir, Travis Corcoran, Karl Gallagher and John Hunt. Sarah Hoyt and Doug Casey were unable to join the podcast. Along with discussion of their books, the authors say interesting things about artificial intelligence and computer programming, about anarcho-capitalism and libertarian ethics, and reveal the most surprising elements of their books for many readers. And it turns out there’s more than one fan of Iain M. Banks in the group. All I know about the host is that he goes by “Daddy Warpig,” but he does a great job.

— Tom Jackson

 

Podcast with Prometheus Award nominees (Andy Weir! Sarah Hoyt! Ken MacLeod!) etc.

“Torchship” trilogy author Karl Gallagher has organized a podcast featuring most of the authors of this year’s group of Prometheus Award nominees. The podcast will be broadcast live at 2 p.m. April 14 (that’s a Saturday) on Daddy Warpig’s Geek Gab.

Here again are the nominees:

* Drug Lord: High Ground by Doug Casey and John Hunt (High Ground Books)
* Powers of the Earth, by Travis Corcoran (Morlock Publishing)
*Torchship, Torchship Pilot and Torchship Captain, by Karl Gallagher (Kelt Haven Press)
* Darkship Revenge, by Sarah Hoyt (Baen Books)
* The Corporation Wars: Emergence by Ken MacLeod (Orbit Books)
Artemis, by Andy Weir (Crown Books)

Gallagher, who organized the event, says all of the authors have agreed to take part, except for Casey and Hunt, who have schedule conflicts.

Gallagher reports, “We’ll also be on the Krypton Radio ‘Event Horizon’ but it’s not scheduled yet. The host is reading the books to prepare. That’s recorded in advance so we should be able to find a time for everyone.”

 

 

 

 

Karen Anderson has died

Karen Anderson around 1965, from Astrid Anderson’s Facebook post. 

Karen Anderson has died. She was the widow of Poul Anderson, and co-authored a number of books with her husband.

Anderson is believed to be the first person to use the term “filk music” in print. She was active in costuming. The Andersons’ daughter Astrid Anderson, who is married to SF author Greg Bear, also has been active in costuming.

From Astrid Bear’s posting on Facebook: “My mother, Karen Anderson, died last night. It was a peaceful and unexpected passing — she died in her bed and was found by the Sunday visiting nurse. Thank you to Martin Tays for being on the ground and being there today. Memorial gathering plans to be announced later, but in the meantime, raise a glass to the memory of a fine woman. If you are moved to make a donation, please consider the SFWA Emergency Medical Fund or the UCLA Medical School.”

Karen Anderson attended the first LFScon in 2001 in Columbus, Ohio, as part of Marcon, to speak on LFS panels and also to accept the Prometheus Special Lifetime Achievement Award for her ailing husband Poul Anderson, who at the last minute couldn’t make the trip because of illness.

“With her personal warmth, big smile, intelligence, insight and broad knowledge and perspective on golden-age sf and the legendary authors who wrote it, Karen made a memorable impression on those who attended LFScon/Marcon,” said Michael Grossberg, who organized the first LFScon in 2001.

 

Neal Stephenson wins 2018 Heinlein Award

 

Neal Stephenson (Creative Commons photo) 

Neal Stephenson, a favorite of many of us in the Libertarian Futurist Society, has won the 2018 Robert A. Heinlein Award.

The award is given for “outstanding published works in science fiction and technical writings that inspire the human exploration of space.”

Stephenson has won the Prometheus Award twice, for Seveneves and The System of the World, and our Hall of Fame Award, for Cryptonomicon. Heinlein has won the Hall of Fame Award seven times for works such as The Moon Is a Harsh Mistress. 

The Baltimore Science Fiction Society has an article with more information on the Heinlein Award, including a list of past winners.

Review: Walkaway by Cory Doctorow

By Chris Hibbert

Walkaway by Cory Doctorow

I really enjoyed reading Cory Doctorow’s Walkaway, though it was more the setting than the story that had me entranced.

Doctorow envisions a relatively high tech future with a strong upper class with strict controls on many aspects of society, but there’s an informal, unsupported safety valve that makes it possible for people to get out from under the plutocrats (called Zottas here). Doctorow’s society is fraying around the edges, so there are lots of abandoned industrial facilities and vacant land that people who are fed up can Walkaway to. Once there they create informal voluntary societies, and exploit the abandoned wealth they find around them. As with Doctorow’s Down and Out in the Magic Kingdom this is a reputation based society, but many of the people who fuel this iteration explicitly reject the ideas of ratings and rankings and tracking contributions. People work together for the joy of it, and record their ideas and plans so others can replicate what works and improve on what doesn’t.
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Review: Autonomous by Annalee Newitz

Annalee Newitz (Creative Commons photo)

By William H. Stoddard

Annalee Newitz has had a successful career as a print and online journalist, and has published several books, but until Autonomous, all of these were nonfiction. It was a happy discovery for me that her first venture into fiction showed real mastery of the craft. I laughed at her epigraph from “The Last Saskatchewan Pirate,” and promptly tracked the song down and bought it; and the opening page of her narrative hooked me and kept me reading. Both her handling of characterization and plot, and the quality of her prose, were the kind of thing I hope for when I glance at a new book and ask if I want to read it.
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