To highlight the Prometheus Awards’ diverse four-decade-plus history and make clear why each winner deserves recognition as a pro-freedom and/or anti-authoritarian work of sf/fantasy, the Libertarian Futurist Society has been publishing since 2019 a series of Appreciations of all past award-winners.
Here is an Appreciation of Vernor Vinge’s story “True Names,” a 2007 Prometheus Hall of Fame co-winner for Best Classic Fiction.
By Michael Grossberg and Chris Hibbert
“True Names” is a seminal work of the cyberpunk genre.
A landmark when it was published in 1981, Vernor Vinge’s now-classic story gave the public their first glimpse of cyberspace and showed how the struggle for control might penetrate the new medium.
One of the earliest works of fiction to present a fully detailed concept of cyberspace, the story also explores themes of anarchism and trans-humanism that are of great interest to libertarian futurists.
The story follows the progress of a group of computer hackers who keep their true identities secret while being among the first to adopt a new full-immersion virtual-reality technology. They do so out of curiosity or an entrepreneurial desire to profit – both respectable and even laudable motivations from the libertarian perspective that appreciates the crucial role of innovation and free markets in advancing human progress, prosperity, well-being and knowledge.
Continue reading A cyberspace, cyberpunk landmark in sf history: Vernor Vinge’s True Names, a 2007 Prometheus Hall of Fame winner
To highlight the Prometheus Awards’ four-decade history and make clear what makes each winner deserve recognition as notable pro-freedom sf/fantasy, the Libertarian Futurist Society is presenting a series of weekly Appreciations of past award-winners.
Here’s the latest Appreciation for Daniel Suarez’s Influx, the 2015 Prometheus Award winner for Best Novel:
By Michael Grossberg
Influx dramatizes the evils of totalitarian government control over people’s lives.
The central theme is close to libertarian and classical-liberal hearts and minds: the terrible and potentially totalitarian dangers of government control of information, and its libertarian corollary about the tremendous value and necessity of transparency in an open society.
Daniel Suarez’s sci-fi-laced techno-thriller depicts a government so concerned about politically destabilizing and potentially dangerous innovations after the moon landings of the 1960s and early 1970s that it created a secret Bureau of Technology Control to manage and limit the introduction of new technologies into public awareness and society.
Continue reading Innovation, new technology, transparency, secrecy, government control and the totalitarian temptation: An Appreciation of Daniel Suarez’s Influx, the 2015 Prometheus Award winner for Best Novel