By Michael Grossberg
Libertarian futurists dream of unleashing the potential of every person to flourish, cooperate, innovate, progress, profit and pursue their happiness in peace and freedom – both here on earth, and perhaps eventually, beyond.
Yet, the politicization of society and increasingly, of our culture and arts, threatens that goal – and in the long run, undermines civility and could destroy civilization itself if this disturbing trend approaches authoritarian extremes.
In a thought-provoking article “Enslaving Art to Politics,” published recently in American Purpose magazine, writer Daniel Ross Goodman argues persuasively against the “politicization of literature.”
His essay should interest Libertarian Futurist Society members, even when Goodman makes some points about particular works and artists that we might respectfully disagree with.
“The best novelists, like all great artists, are not narrow-minded agenda-driven partisans but adventurers in the unbounded universe of the human imagination, who, through their fictions, help us better perceive vital truths about ourselves and our reality,” Goodman wrote in late September in the online magazine.
To highlight the Prometheus Awards’ diverse four-decade history and make clear why each winner deserves recognition as pro-freedom, anti-authoritarian or dystopian sf/fantasy, the Libertarian Futurist Society is publishing an Appreciation series of all past award-winners.
Here is an Appreciation of Eric Frank Russell’s The Great Explosion, a 1985 Prometheus Hall of Fame co-winner for Best Classic Fiction.
By Michael Grossberg
The power of peaceful behavior and non-violent resistance is explored in The Great Explosion.
British author Eric Frank Russell’s satirical 1962 novel, which incorporates in its final third section his classic golden-age-sf 1951 short story “…And Then There Were None,” is set in an expansive interstellar future in which millions have used a faster-than-light transport system to escape an increasingly bureaucratic and statist Earth and have settled countless planets.
When ships with soldiers and bureaucrats and pompous officials from a still-statist and aggressively imperialist Earth arrive four centuries to visit and take over three of the planets, they find a penal colony with a corrupt and despotic government on the first, health and fitness fanatic nudists on the second and no signs of human life on the third planet, colonized by a religious group.
But they face their biggest mystery – and largest challenge – on a final fourth planet, filled with people who calls themselves Gands (after Gandhi) and whose agrarian culture and economy have embraced a classless libertarian anarchy based on passive resistance to unjust authority.