Sequels to classic works of literature by deceased authors rarely measure up to the originals, but that doesn’t stop different authors and publishers from trying.
Yet, the new novels often spark interest, especially by fans of the earlier works, and sometimes they even become bestsellers – only to fade while the original works continue to be celebrated. (Does anyone today remember Scarlett, a popular sequel to Margaret Mitchell’s still-read Gone with the Wind?)
The latest effort, recently announced and of special interest to Libertarian Futurist Society members, will offer a retelling of a Prometheus award-winner that ranks among the 20th century’s most influential and best-known novels: George Orwell’s Nineteen Eighty-Four.
Julia, an upcoming novel by Sandra Newman, will refocus the events of the dystopian tale of totalitarian dictatorship, propaganda, mind control, newspeak and doublethink from the perspective of Winston Smith’s illicit love interest.
To highlight the Prometheus Awards’ diverse four-decade history and make clear why each winner deserves recognition as notable pro-freedom and/or anti-authoritarian sf, the Libertarian Futurist Society has been publishing a series of Appreciations of all past award-winners.
Here is an Appreciation of E.M. Forster’s “The Machine Stops,” the 2012 Prometheus Hall of Fame winner for Best Classic Fiction:
By Chris Hibbert
E. M. Forster’s short story “The Machine Stops” is very appropriate for the time of the pandemic. Forster wrote about a society of enforced physical isolation where everyone can be in constant communication via the Machine.