An individualist fights for self-determination in a landmark TV series: Patrick McGoohan’s The Prisoner, the 2002 Prometheus Hall of Fame winner

The Libertarian Futurist Society’s Appreciation series, launched in 2019 to celebrate the Prometheus Awards’ four-decade history, is an effort to make clear why each work won our award and deserves recognition as a pro-freedom and/or anti-authoritarian work.

Here’s an appreciation for The Prisoner,” the 2002 Prometheus Hall of Fame winner for Best Classic Fiction and the first TV series to be inducted into the Hall of Fame.

 

By Michael Grossberg

“I am not a number. I am a free man!”
Actor Patrick McGoohan utters those defiant words as the heroic individualist at the center of The Prisoner, one of the most unusual, enigmatic and evocative TV series ever broadcast.
Today, that emblematic catchphrase remains well-known in popular culture, and ranks high among the most familiar lines of dialogue from any TV show or movie of the 20th century.
“I will not be pushed, filed, stamped, indexed, briefed, debriefed, or numbered. My life is my own,” McGoohan declared in the first episode – another among many memorable anti-authoritarian and individualist lines of dialogue that he would utter throughout the iconic series.
Such explicit affirmations of individuality, self-determination and resistance to tyranny were highly unusual on television half a century ago – and sadly remain relatively rare today.

Continue reading An individualist fights for self-determination in a landmark TV series: Patrick McGoohan’s The Prisoner, the 2002 Prometheus Hall of Fame winner

Love, liberty, longevity and Lazarus Long: Robert Heinlein’s Time Enough for Love, the 1998 Prometheus Hall of Fame winner

To highlight the Prometheus Awards’ four-decade history, the Libertarian Futurist Society is publishing review-essays of past award-winners that make clear why each winner deserves recognition as a pro-freedom work.
Here’s an Appreciation of Robert Heinlein’s Time Enough for Love, inducted into the 1998 Prometheus Hall of Fame for Best Classic Fiction.

By Michael Grossberg

Who has time enough for Time Enough for Love?
For starters, fans of Robert Heinlein do – despite the epic novel’s length.

So do freedom-lovers who understand that freedom itself is a necessary (but not sufficient) prerequisite for human flourishing, human happiness and the fulfillment possible in life largely through love, family, creativity and achievement.

Continue reading Love, liberty, longevity and Lazarus Long: Robert Heinlein’s Time Enough for Love, the 1998 Prometheus Hall of Fame winner

Rediscovery of the self amid post-apocalyptic primitivism: Ayn Rand’s dystopian Anthem, the 1987 Hall of Fame winner

To highlight the Prometheus Awards’ history, the Libertarian Futurist Society is publishing an Appreciation series to make clear why each winner deserves recognition as notable pro-freedom works.
Here’s an Appreciation of Ayn Rand’s Anthem, a 1987 Prometheus Hall of Fame inductee for Best Classic Fiction.

By Michael Grossberg

For those who’ve never read Ayn Rand, Anthem is a good place to start.

Imaginative and inspirational with a tone of reverence and discovery, Anthem ranks as one of the great dystopian works of 20th century literature, but also as the shortest and most poetic.

Its powerful and poignant theme: the rediscovery of the self. In Rand’s mythic and post-apocalyptic future of a primitive and very tribal society, the rediscovery of the self is tantamount to a revolutionary act amid the collectivism of forced servitude, ignorance, fear, stifling conformity and primitivism.

Continue reading Rediscovery of the self amid post-apocalyptic primitivism: Ayn Rand’s dystopian Anthem, the 1987 Hall of Fame winner

Libertarianism, feminism, chili peppers, drugs, desire, dictatorship & dystopia: Johanna Sinisalo’s The Core of the Sun, the 2017 Prometheus Award Best Novel winner

To highlight the Prometheus Awards’ four-decade history, and make clear what makes each winner deserve recognition as notable pro-freedom sf/fantasy, the Libertarian Futurist Society is continuing to present weekly Appreciations of past Prometheus Award-winners. Here’s the latest Appreciation for Johanna Sinisalo’s The Core of the Sun, the 2017 Best Novel winner:

By Michael Grossberg
The Core of the Sun, by well-known Finnish writer Johanna Sinisalo, is both feminist and libertarian in its evocative themes.

In the quirky and imaginative 2016 novel, translated by Lola Rogers from the Finnish language and published by Grove Press/Black Cat, Sinisalo vividly imagines a dystopian alternate history of Finland in which a patriarchal and authoritarian government enforces a social system, a War-on-Drugs Prohibition of individualistic pleasure and a eugenics program that breeds and virtually enslaves compliant women.

Set in 21stcentury Finland after a century of male-dominated government breeding and cultural reinforcement of its women to be slower-witted and more childlike, the fast-paced story unfolds in short chapters with epistolary and personal interludes that evoke a struggle of women within an alternate-reality Finnish culture somewhat evocative of The Stepford Wives (a cautionary feminist novel by Ira Levin, the Prometheus Hall of Fame winner for his dystopian novel This Perfect Day.)

Social stability and public health, along with a War-on-Drugs Prohibition, are strongly enforced and favored over social change, creativity, personal expression, self-fulfillment, curiosity and diversity – the latter, of course, all part of the constellation of values and attitudes that we know flourish much more under a classical liberal/libertarian polity.

Continue reading Libertarianism, feminism, chili peppers, drugs, desire, dictatorship & dystopia: Johanna Sinisalo’s The Core of the Sun, the 2017 Prometheus Award Best Novel winner