Authority, responsibility and a “man from Mars”: Robert Heinlein’s Stranger in a Strange Land, a 1987 Prometheus Hall of Fame winner

To highlight the Prometheus Awards’ four-decade history, the Libertarian Futurist Society is publishing review-essays of past award-winners that make clear why each winner deserves recognition as a pro-freedom work.  Here is an Appreciation of Robert Heinlein’s Stranger in a Strange Land, inducted into the 1987 Prometheus Hall of Fame for Best Classic Fiction.

By William H. Stoddard
Robert Heinlein’s Stranger in a Strange Land wasn’t just a best seller, and the book that made publishers take science fiction seriously as a commercial proposition; it was a major influence on the hippie movement, the counterculture more generally, and neo-pagan and New Age thought.

Given all this, it seemed paradoxical to some readers that Heinlein was also the author of Starship Troopers,with its praise of military service and especially, as Heinlein said, of the “poor bloody infantry” — the foot-soldiers who stood between their native planets and the desolation of war. Heinlein himself saw no such paradox; he said, in fact, that the two books reflected the same ethical and political ideas.

What did these two seemingly disparate works have in common? At the deepest level, the answer is “a sort of libertarianism”: not advocacy of the free market, or of specific constitutional arrangements, or of constitutional goverment as such (though such ideas appear in Heinlein’s other works), but a basic ethical principle.

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In memoriam Jack Vance: 1916 — 2013

By Anders Monsen

Jack Vance, science fiction grandmaster, died on Sunday, May 26, 2013. Born on August 28 1916, John Holbrook Vance wrote over 50 novels and many more short stories, most published under the name Jack Vance. His works ranged from science fiction and fantasy to mystery and regional fiction. Vance’s first published story was “The World Thinker” in 1945 for Thrilling Wonder Stories, and his first published book The Dying Earth, by Hillman Press in 1950. His last novel, Lurulu, appeared in 2004, and an autobiography in 2009.

Though he was approaching 100, and I always expected to read something about his death, I felt a deep shock when I finally received the news. I have read all his books, many of them multiple times. They are like old friends. I have nominated and voted for many of his works for the Prometheus Hall of Fame. Now he is dead. Will it matter if he ever wins? Would he have cared to have won while still alive? I do not know. Reflecting on his books is like reflecting on the lives of long-time friends.

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