The Libertarian Futurist Society’s Appreciation series offers review-essays of past award-winners that make clear why each deserves recognition as a pro-freedom and/or anti-authoritarian work. Here’s an appreciation for writer Alan Moore and artist David Lloyd’s graphic novel V for Vendetta, the 2006 Prometheus Hall of Fame winner for Best Classic Fiction.
“People should not be afraid of their governments. Governments should be afraid of their people.”– V for Vendetta
By Michael Grossberg
V for Vendetta dramatizes and illustrates a horrific cautionary tale about the loss of freedom and identity itself in a chilling totalitarian future.
The 1989 graphic novel, created by British writer Alan Moore and artist David Lloyd, has been widely acclaimed as a defining work within the medium of comics and the emerging art of graphic novels – and deservedly so.
Like some of the best dystopian novels, this vivid fusion of word and image chronicles the debilitating and soul-crushing impact of living in an authoritarian police state. That’s a nightmare that few understand who haven’t experienced it, but V for Vendetta makes it palpable.
Happily, V for Vendetta isn’t just harrowing but also inspiring – for it also highlights the power of the human spirit to resist tyranny. The graphic novel earns our sympathy for a few valiant if damaged souls who find the courage to rebel against the excesses and norms of truly unlimited government.
Continue reading A vivid graphic novel about resisting a totalitarian future: Alan Moore and David Lloyd’s V for Vendetta, the 2006 Prometheus Hall of Fame winner for Best Classic Fiction.
By Anders Monsen
Between 2009 and 2014 NESFA press published seven volumes of short fiction and poetry by Poul Anderson in handsome hardcover editions for around $30 each.
These volumes were still available from the NESFA website, at least when I purchased them years ago, with volume seven released in 2017 as the final volume in the series. The stories do not appear chronologically.
Anderson, who has won several Prometheus Awards for best novel, four Hall of Fame awards, and a Lifetime Special Award, was a prolific writer who published his first science fiction story in 1947, some months before his twenty-first birthday.
He wrote fiction for more than half a century, so while these six volumes by no means collect all his short fiction, they contain a treasure trove for any fan of his fiction.
Continue reading Power, empire, time travel and liberty: A review of The Collected Short Stories of Poul Anderson, Volume 1
If you’re a fan of C.J. Cherryh in general and her vast, complex, economically literate Alliance-Union Universe in particular, the full text of Cherryh and Jane S. Fancher’s Prometheus Awards acceptance speech is a fascinating must-read.
Cherry and Fancher co-wrote Alliance Rising, billed as the first prequel in a projected Hinder Stars trilogy exploring how her – now, their – future history develops.
The Libertarian Futurist Society, which presented its 2020 Prometheus Awards ceremony Saturday at the all-online North American Science Fiction Convention (NASFiC), chose Alliance Rising as its 2020 Best Novel winner partly because of the plausible realism with which Cherryh and Fancher weave a portrait of how the emergence of an interstellar trade network with private property and active markets tends to reduce conflicts, violence and the threat of war while sustaining peace, prosperity and progress.
“Its not so much that we set out to write a novel about the link between freedom and economics,” Cherryh said in her acceptance remarks, “but that when you start telling a story about human civilization, it goes with the territory.”
Continue reading NASFiC acceptance speech: How C.J. Cherryh built her Alliance-Union Universe, & the launch of a prequel trilogy with Alliance Rising, the 2020 Prometheus Best Novel
To highlight the four-decade history of the Prometheus Awards, which the Libertarian Futurist Society began celebrating in 2019, we are continuing our series of weekly Appreciations of past Prometheus Award-winners, starting with our first category for Best Novel.
Here’s our latest Appreciation for Poul Anderson’s The Stars Are Also Fire, the 1995 Prometheus Best Novel winner:
Poul Anderson’s 1994 novel offers a thought-provoking scenario in a distant future in which man-made artificial intelligences have come to dominate human beings, while many people still struggle for freedom and independence in a new era of space exploration.
The point of view of The Stars Are Also Fire alternates frequently over five centuries between an early 21st-century era of occupation of Earth’s moon and later Earth/moon conflicts as genetically-altered-human Lunarians seek independence from Earth’s World Federation and Peace Authority.
Continue reading Struggles for freedom and space exploration in a distant future of artificial intelligences dominating humans: An Appreciation of Poul Anderson’s The Stars Are Also Fire, the 1995 Prometheus Best Novel winner
Introduction: To highlight the four-decade history of the Prometheus Awards, which the Libertarian Futurist Society is celebrating in 2019, we are posting a series of weekly Appreciations of past Prometheus Award-winners, starting with our earliest Best Novel awards.
Here’s the next Appreciation for Victor Koman’s Solomon’s Knife, the 1990 Prometheus winner for Best Novel,following recent appreciations for novels by J. Neil Schulman, F. Paul Wilson, L. Neil Smith, James P. Hogan, Vernor Vinge and Brad Linaweaver:
Victor Koman’s Solomon’s Knife imaginatively extends the typically partisan and predictable debate over abortion into new territory.
His provocative 1989 novel imagines a plausible future in which a controversial new surgical procedure is devised that could help women with unwanted pregnancies and women who want children but can’t become pregnant.
At the heroic center of the libertarian-themed medical thriller, which takes its title from the biblical story of King Solomon that tests two women over a baby, is a surgeon who risks her career to do the clandestine new type of surgery to help a beautiful woman seeking a routine abortion.
The new “transoption” procedure to transplant a fetus from one woman’s body to a willing new female host sparks media coverage, public outrage and a courtroom trial over an unprecedented custody battle. Koman uses his clever futuristic plot to explore issues within a moral drama that also has legal, political and scientific dimensions.
Continue reading Philosophy, ethics, liberty, scientific innovation, a controversial new surgery procedure and abortion: An Appreciation of Victor Koman’s Solomon’s Knife, the 1990 Prometheus Best Novel winner