To highlight the four-decade history of the Prometheus Awards, which the Libertarian Futurist Society began celebrating in 2019, we are continuing our series of weekly Appreciations of past Prometheus Award-winners, starting with our first category for Best Novel.
Here’s our latest Appreciation for Poul Anderson’s The Stars Are Also Fire, the 1995 Prometheus Best Novel winner:
Poul Anderson’s 1994 novel offers a thought-provoking scenario in a distant future in which man-made artificial intelligences have come to dominate human beings, while many people still struggle for freedom and independence in a new era of space exploration.
The point of view of The Stars Are Also Fire alternates frequently over five centuries between an early 21st-century era of occupation of Earth’s moon and later Earth/moon conflicts as genetically-altered-human Lunarians seek independence from Earth’s World Federation and Peace Authority.
Continue reading Struggles for freedom and space exploration in a distant future of artificial intelligences dominating humans: An Appreciation of Poul Anderson’s The Stars Are Also Fire, the 1995 Prometheus Best Novel winner
Introduction: To highlight the four-decade history of the Prometheus Awards, which the Libertarian Futurist Society is celebrating in 2019, we are posting a series of weekly Appreciations of past Prometheus Award-winners, starting with our earliest Best Novel awards.
Here’s the next Appreciation for Victor Koman’s Solomon’s Knife, the 1990 Prometheus winner for Best Novel,following recent appreciations for novels by J. Neil Schulman, F. Paul Wilson, L. Neil Smith, James P. Hogan, Vernor Vinge and Brad Linaweaver:
Victor Koman’s Solomon’s Knife imaginatively extends the typically partisan and predictable debate over abortion into new territory.
His provocative 1989 novel imagines a plausible future in which a controversial new surgical procedure is devised that could help women with unwanted pregnancies and women who want children but can’t become pregnant.
At the heroic center of the libertarian-themed medical thriller, which takes its title from the biblical story of King Solomon that tests two women over a baby, is a surgeon who risks her career to do the clandestine new type of surgery to help a beautiful woman seeking a routine abortion.
The new “transoption” procedure to transplant a fetus from one woman’s body to a willing new female host sparks media coverage, public outrage and a courtroom trial over an unprecedented custody battle. Koman uses his clever futuristic plot to explore issues within a moral drama that also has legal, political and scientific dimensions.
Continue reading Philosophy, ethics, liberty, scientific innovation, a controversial new surgery procedure and abortion: An Appreciation of Victor Koman’s Solomon’s Knife, the 1990 Prometheus Best Novel winner