Philosophy, ethics, liberty, scientific innovation, a controversial new surgery procedure and abortion: An Appreciation of Victor Koman’s Solomon’s Knife, the 1990 Prometheus Best Novel winner

Introduction: To highlight the four-decade history of the Prometheus Awards, which the Libertarian Futurist Society is celebrating in 2019, we are posting a series of weekly Appreciations of past Prometheus Award-winners, starting with our earliest Best Novel awards.

Here’s the next Appreciation for Victor Koman’s Solomon’s Knife, the 1990 Prometheus winner for Best Novel,following recent appreciations for novels by J. Neil Schulman, F. Paul Wilson, L. Neil Smith, James P. Hogan, Vernor Vinge and Brad Linaweaver:

Victor Koman’s Solomon’s Knife imaginatively extends the typically partisan and predictable debate over abortion into new territory.

His provocative 1989 novel imagines a plausible future in which a controversial new surgical procedure is devised that could help women with unwanted pregnancies and women who want children but can’t become pregnant.

At the heroic center of the libertarian-themed medical thriller, which takes its title from the biblical story of King Solomon that tests two women over a baby, is a surgeon who risks her career to do the clandestine new type of surgery to help a beautiful woman seeking a routine abortion.

The new “transoption” procedure to transplant a fetus from one woman’s body to a willing new female host sparks media coverage, public outrage and a courtroom trial over an unprecedented custody battle. Koman uses his clever futuristic plot to explore issues within a moral drama that also has legal, political and scientific dimensions.
Continue reading Philosophy, ethics, liberty, scientific innovation, a controversial new surgery procedure and abortion: An Appreciation of Victor Koman’s Solomon’s Knife, the 1990 Prometheus Best Novel winner

God, atheism, philosophical speculation and a dying assassin in an irreverent sci-fi private-eye noir fantasy: An Appreciation of Victor Koman’s The Jehovah Contract, the 1988 Prometheus Best Novel winner

Introduction: To highlight the four-decade history of the Prometheus Awards, which the Libertarian Futurist Society is celebrating in 2019, we’re posting a series of weekly Appreciations of past Prometheus Award-winners, starting with our earliest Best Novel awards.

Here’s the eighth Appreciation for Victor Koman’s The Jehovah Contract, following appreciations for novels by F. Paul Wilson, L. Neil Smith, J. Neil Schulman, James P. Hogan, Victor Milan and Vernor Vinge:

Victor Koman’s audacious 1987 thriller-noir-fantasy The Jehovah Contract centers on dying atheistic assassin Del Ammo – masquerading as a private detective, and living in the ruins of a terrorist-bombed skyscraper – who’s given a contract to kill God. Yes, God!

Clever philosophical speculations by Koman, a veteran libertarian, accent his suspenseful and prescient story, set in a near-future Los Angeles, as the assassin finds a way to excise the concept of God from the minds of humanity and enable a more laissez-faire “Creatrix” to return to power.
Continue reading God, atheism, philosophical speculation and a dying assassin in an irreverent sci-fi private-eye noir fantasy: An Appreciation of Victor Koman’s The Jehovah Contract, the 1988 Prometheus Best Novel winner

Advanced technology, global politics, authoritarianism, monopoly power and centuries of struggle for liberty: An Appreciation of Vernor Vinge’s Marooned in Real Time, the 1987 Prometheus Best Novel winner

Introduction: To highlight the four-decade history of the Prometheus Awards, which the Libertarian Futurist Society is celebrating in 2019, we are posting a series of weekly Appreciations of past Prometheus Award-winners, starting with our earliest Best Novel awards.

Here’s the seventh Appreciation for Vernor Vinge’s Marooned in Real Time, following recent appreciations for novels by J. Neil Schulman, F. Paul Wilson, L. Neil Smith and James P. Hogan, No Award (the 1985 choice) and Victor Milan:

By William H. Stoddard

In 1985, Vinge’s The Peace War lost out to No Award in the Prometheus voting. In 1987, its sequel, Marooned in Realtime, was recognized as Best Novel — the first of several Best Novel and Hall of Fame awards to the author.

The Peace War had shown a market-oriented and anarchistic society in a future central California. But it wasn’t portrayed in detail, and existed within a larger world that was decidedly NOT libertarian, controlled by the repressive Peace Authority. And one of the viewpoint characters was a military officer who considered the libertarian society that Vinge sketched unsustainable.

In contrast, Marooned in Realtime’s characters look back to a past in which libertarian values had triumphed, and the central character is widely admired for his role in bringing down one of the Earth’s last states (a story told in “The Ungoverned,” a novella that won the LFS’s 2004 Hall of Fame Award).

The libertarianism stands out more.
Continue reading Advanced technology, global politics, authoritarianism, monopoly power and centuries of struggle for liberty: An Appreciation of Vernor Vinge’s Marooned in Real Time, the 1987 Prometheus Best Novel winner

Pioneering cyberpunk, love, duty, justice and free will: An Appreciation of Victor Milan’s The Cybernetic Samurai, the 1986 Prometheus Best Novel winner

Introduction: To highlight the four-decade history of the Prometheus Awards, which the Libertarian Futurist Society is celebrating in 2019, we are posting a series of weekly Appreciations of past Prometheus Award-winners, starting with our earliest Best Novel awards.

Following recent appreciations for F. Paul Wilson’s Wheels within Wheels, L. Neil Smith’s The Probability Broach, James Hogan’s Voyage to Yesteryear and Neil Schulman’s The Rainbow Cadenza, here’s our next Appreciation for Victor Milan’s The Cybernetic Samurai:

The 1985 novel, one of the forgotten works of the early cyberpunk scene, explores the tensions between duty and free will, duty and love and duty and justice in a harsh future where some people struggle to be free within a largely totalitarian Earth.

Imagining a 21stcentury between the third and fourth world wars in a story whose hero is the world’s first sentient computer, Milan portrays a bloody and terrible future in which much of the world is destroyed but Japan becomes the last refuge of a dying free society and free market.
Continue reading Pioneering cyberpunk, love, duty, justice and free will: An Appreciation of Victor Milan’s The Cybernetic Samurai, the 1986 Prometheus Best Novel winner

40th Anniversary Celebration: An Appreciation of No Award, the 1985 Prometheus Best Novel choice

Introduction: To highlight the four-decade history of the Prometheus Awards, which the Libertarian Futurist Society is celebrating in 2019, we are posting a series of weekly Appreciations of past Prometheus Award-winners, starting with our earliest Best Novel awards.

Here’s the fifth Appreciation, for No Award (1985), following recent appreciations for novels by F. Paul Wilson, L. Neil Smith, James Hogan and J. Neil Schulman:

By William H. Stoddard

When the Libertarian Futurist Society started giving regular awards for Best Novel, ballots mailed to members offered the option of voting for None of the Above.

In 1985, None of the Above won, for the first and – up to now – the only time.

Continue reading 40th Anniversary Celebration: An Appreciation of No Award, the 1985 Prometheus Best Novel choice

Artistic freedom, creativity, individuality, self-expression, gay marriage, the evils of conscription and dystopia: An Appreciation of J. Neil Schulman’s The Rainbow Cadenza, the 1984 Prometheus Best Novel winner

Introduction: To highlight the four-decade history of the Prometheus Awards, which the Libertarian Futurist Society is celebrating in 2019, we are posting a series of weekly Appreciations of past Prometheus Award-winners, starting with our earliest Best Novel awards.

Here’s the fourth Appreciation for J. Neil Schulman’s The Rainbow Cadenza, following recent appreciations for F. Paul Wilson’s Wheels within Wheels, L. Neil Smith’s The Probability Broach and James P. Hogan’s Voyage to Yesteryear:

Schulman’s romantic and passionate sf drama explores the power of art, the thirst for creativity and the threat to such individuality and self-expression in a future Brave New World dominated by a single world government.

Schulman was prescient and years ahead of his time in envisioning a positive future where gay marriage is normal and legal.
Yet, his complex story portrays a very mixed and disconcerting dystopian future where teenage women are drafted into government prostitution service for three years, clones are treated as inferior and a new underclass called Touchables are hunted for sport.

Continue reading Artistic freedom, creativity, individuality, self-expression, gay marriage, the evils of conscription and dystopia: An Appreciation of J. Neil Schulman’s The Rainbow Cadenza, the 1984 Prometheus Best Novel winner

Authoritarian imperialism vs. a functioning free-market anarchy in an interstellar future: An Appreciation of James P. Hogan’s Voyage From Yesteryear, the 1983 Best Novel winner

Introduction: To highlight the four-decade history of the Prometheus Awards, which the Libertarian Futurist Society is celebrating in 2019, we are posting a series of weekly Appreciations of past Prometheus Award-winners, starting with our earliest Best Novel awards.
Here’s our third Appreciation, for James P. Hogan’s Voyage to Yesteryear, following recent Appreciations for F. Paul Wilson’s Wheels within Wheels and L. Neil Smith’s The Probability Broach:

Two human civilizations, long separated across light years, confront significant philosophical and political differences when they make renewed contact decades after a World War III devastated the Earth and led to the rise of widespread authoritarian governments there.

When the Earth’s three superpower governments engage in a space race to renew contact with the lost colony on Chiron in the Alpha Centauri system colony’s descendants, the Americans arrive first with an authoritarian goal of invasion and domination.

Meanwhile, the Chiron colonists – sent from Earth generations before in a ship with babies raised by robots in order to start fresh and avoid the bad habits and prejudices of Earth – have developed a radically free libertarian society founded on the belief that each individual has the right to life, liberty and the pursuit of happiness.
Continue reading Authoritarian imperialism vs. a functioning free-market anarchy in an interstellar future: An Appreciation of James P. Hogan’s Voyage From Yesteryear, the 1983 Best Novel winner

Rambunctious adventure, detective drama and Jeffersonian vs. Hamiltonian conflicts in a rollicking multiverse: An Appreciation of L. Neil Smith’s The Probability Broach, the 1982 Best Novel winner

Introduction: To highlight the four-decade history of the Prometheus Awards, which the Libertarian Futurist Society (LFS) is celebrating in 2019, we are posting a series of weekly Appreciations of past Prometheus Award-winners, starting with our earliest Best Novel awards and moving forward to today. (The first Appreciation, posted recently on this blog, focused on F. Paul Wilson’s Wheels within Wheels, which won the first Prometheus Award in 1979.)

This second Appreciation focuses on L. Neil Smith’s The Probability Broach, the 1982 Prometheus Award winner for Best Novel presented by the Libertarian Futurist Society:

By Michael Grossberg
L. Neil Smith’s rollicking, fun-loving sf adventure novel, one of the most influential books of the Libertarian movement as its ideas were spreading in the early 1980s, imagines alternate time lines accessible through the probability broach, a portal to many worlds.

Continue reading Rambunctious adventure, detective drama and Jeffersonian vs. Hamiltonian conflicts in a rollicking multiverse: An Appreciation of L. Neil Smith’s The Probability Broach, the 1982 Best Novel winner

Videos: The 2019 Prometheus Award ceremony at the Worldcon in Dublin

The Prometheus Award this year went to Causes of Separation by Travis Corcoran, while the Prometheus Hall of Fame Award was won by “Harrison Bergeron” by Kurt Vonnegut Jr.

The awards were presented at the 77th World Science Fiction Convention, held in Dublin, Ireland, August 15-19 2019, by two members of the Libertarian Futurist Society, Fred Moulton and John Christmas.
If you didn’t make it to the Worldcon, you can watch our (three) videos to witness the event.
Continue reading Videos: The 2019 Prometheus Award ceremony at the Worldcon in Dublin

Interview: LFS founder Michael Grossberg on how he became a writer, critic, sf fan & helped save the Prometheus Awards

 

Michael Grossberg, 2016 Photo courtesy of M.G.

Note: In this wide-ranging autobiographical interview, Grossberg shares his encounters, conversations and/or connections with Timothy Leary, George R.R. Martin, L. Neil Smith, Bruce Sterling, David Brin, Sissy Spacek, Gore Vidal, Ray Bradbury, Roy Rogers, Jeffrey Rogers Hummel, Roberto Rossellini, Nicholas Ray, Marianne Williamson, Susan Sontag, Roy Childs Jr., James Hogan and Robert Heinlein, among others.

TOM JACKSON: Could you tell us about yourself, including how you became a writer and arts critic?
Continue reading Interview: LFS founder Michael Grossberg on how he became a writer, critic, sf fan & helped save the Prometheus Awards