Several leading sf writers whose classic works have won Prometheus Awards are examined in a new anthology about science fiction’s New Wave.
Most notably, Robert Heinlein’s The Moon is a Marsh Mistress and Ursula Le Guin’s The Dispossessed are among the libertarian sf works explored, contrasted and debated in Dangerous Visions and New Worlds: Radical Science Fiction, 1950-1985.
Reason book editor Jesse Walker reviews the anthology of essays while noting its discussions of libertarian writers and libertarian-themed sf in the March 2022 issue of Reason magazine.
This year’s nominees for the Prometheus Hall of Fame encompass several genres and types of fiction.
Of the eight works being considered by judges as potential finalists, one is a short story, one a song, one a TV episode, one a collection of linked stories and four are novels – plus, half are first-time nominees.
This year’s line-up of Best Classic Fiction nominees may be the freshest in years as well as the broadest, at least in terms of types of fiction, in the history of this Prometheus awards category, first presented in 1983.
To highlight the Prometheus Awards’ four-decade history and make clear why each winner deserves recognition as a notable pro-freedom and/or anti-authoritarian work, the Libertarian Futurist Society has been publishing since 2019 an Appreciation series of all past award-winners.
Here is a review essay about F. Paul Wilson’s story “Lipidleggin’,” the 2021 Prometheus Hall of Fame winner for Best Classic Fiction. With this appreciation for this year’s winner, our Appreciation series for the Hall of Fame category of the Prometheus Awards is now complete.
Here is F. Paul Wilson’s acceptance speech for winning the 2021 Prometheus Award for Best Classic Fiction (the Hall of Fame) for his short story “Lipidleggin'”, which he delivered Aug. 21, 2021, during the online ceremony for the 41st annual Prometheus Awards:
By F. Paul Wilson
Many thanks to the members of the Libertarian Futurist Society for this honor.
I’ll be brief. (“Lipidleggin’” is a short story, after all.)
Back in the 1970s, a national health care system was a major political topic. (Some things never change, do they?) So I asked the next question: If the State is paying for your health care, won’t the State demand a say in behaviors that it considers hazardous to your health? Like, oh, say, banning saturated fats?
So, with tongue planted firmly in cheek, I wrote this little cautionary tale about a day when foods with saturated fats – such as butter and eggs – would be banned by the government. I mean, I saw how it could happen, but never for a moment did I believe it would happen. Not in a free country like our good old U.S. of A.
To highlight the Prometheus Awards’ four-decade history and make clear why each winner deserves recognition as a notable pro-freedom work, the Libertarian Futurist Society has been publishing since 2019 an Appreciation series of all past award-winners.
Here is an Appreciation for Jack Williamson’s “With Folded Hands…,” the 2018 Prometheus Hall of Fame winner for Best Classic Fiction.
Jack Williamson’s novelette “With Folded Hands . . .” illustrates one of the distinctive characteristics of science fiction: its tendency to a kind of dialogue, in which one author’s stories comment on earlier stories by other authors. (Poul Anderson was noteworthy for this kind of writing, in stories such as “Journeys End,” which offered a different view of relationships between telepaths, and “The Man Who Came Early,” which questioned the assumptions of “castaways in time” stories such as Lest Darkness Fall.)
In 1947, when Williamson’s novelette appeared in Astounding Science Fiction, the idea of essentially benevolent robots was well established there; Isaac Asimov’s Three Laws of Robotics (which Astounding’s editor, John W. Campbell, played a part in formulating) had been explicitly stated in Asimov’s novelette “Runaround” five years before, in 1942. What Williamson did was not to revert to the older theme of monstrous and hostile robots (which Asimov had called “the Frankenstein complex”), but to look at Asimov’s own vision of robots from a different angle.
The V for Vendetta: Behind the Mask exhibit will be available until Oct. 31;
“Presenting 36 original comic artworks alongside storyboards and costume designs from the hit Warner Bros movie, V for Vendetta: Behind the Mask charts the rise from comic to graphic novel, Hollywood film to iconic symbol of protest,” the museum says.
To highlight the Prometheus Awards’ four-decade history, the Libertarian Futurist Society is publishing Appreciations of past award-winners that make clear why each winner deserves recognition as a pro-freedom work.
Here is a combined Appreciation of F. Paul Wilson’s Healer, the 1990 Prometheus Hall of Fame winner, and Wilson’s An Enemy of the State, the 1991 Hall of Fame winner.
“There used to be high priests to explain the ways of the king – who was the state – to the masses. Religion is gone, and so are kings. But the state remains, as do the high priests in the guise of Advisors, Secretaries of Whatever Bureau, public relations people, and sundry apologists. Nothing changes.”– From THE SECOND BOOK OF KYFHO
When the first Prometheus Award was presented in 1979 to F. Paul Wilson for Wheels within Wheels, few realized that the sf mystery novel was an absorbing piece of what would become a much larger future-history saga.
Together with Wheels within Wheels,An Enemy of the State and Healer– respectively the 1990 and 1991 Prometheus Hall of Fame inductees for Best Classic Fiction – formone of the most libertarian sf trilogies ever written.
Set in a positive but realistically flawed interstellar future in which human beings have spread among the stars, the LaNague Federation trilogy focuses on an imperialist central State and empire that is toppled by Peter LaNague, a far-sighted revolutionary who abjures violence in favor of a subtle, long-term plan based on a sophisticated understanding of economics, markets, money and inflation.
“I think a full understanding of justice also has to include honoring and rewarding worthy acts and accomplishments. ” – William H. Stoddard
Here is part 2 of the Prometheus Blog interview with LFS President William H. Stoddard.
This part of the interview focuses on the Prometheus Hall of Fame for Best Classic Fiction, which Stoddard has been closely involved with for two decades.
As chair of the Hall of Fame finalist judging committee, Stoddard leads a group of LFS members who read, discuss and rank the annual nominees to select a slate of typically five finalists for the entire LFS membership to rank and vote on. The winner is inducted into the Prometheus Hall of Fame, established in 1983.
To highlight the Prometheus Awards’ four-decade history and make clear why each winner deserves recognition as notable pro-freedom and/or anti-authoritarian works, the Libertarian Futurist Society is publishing an Appreciation series of all past award-winners. Here is an Appreciation of C.M. Kornbluth’s The Syndic, one of two 1986 Prometheus Hall of Fame inductees for Best Classic Fiction.
C.M. Kornbluth’s novel The Syndicwas an early winner of the Hall of Fame Award, in 1986.
Originally published in 1953, it was an example both of what Isaac Asimov called “social science fiction,” envisioning a change in technology or human behavior and working out its cultural implications, and of “thought variant” fiction, seeking to explore provocative ideas.
Such ideas were supposed to stir up discussion by going against conventional beliefs, in the style Robert Heinlein envisioned in Space Cadet as a required seminar in “Doubt”:
The seminar leader would chuck out some proposition that attacked a value usually attacked as axiomatic. From there on anything could be said.
Kornbluth picked a really provocative premise: A future North America ruled by organized crime, with the government driven into exile, creating a freer and happier society than that of his own time. This led to a story with a lot of action, but one where social speculation was never far from sight.