Why the Hall of Fame is important, and why Citizen of the Galaxy deserves a place in it: Stoddard’s awards-ceremony presentation of the Best Classic Fiction category

In his apt introduction and presentation of the Prometheus Hall of Fame category at the recent 2022 Prometheus Awards ceremony, LFS President William H. Stoddard explains why this annual awards category is such an important part of the Libertarian Futurist Society’s awards program – and why this year’s inductee by Robert Heinlein is so deserving of recognition.

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Slavery, liberty, personal responsibility and legacy: The Heinlein Trust and Heinlein Society acceptance speeches for Prometheus Hall of Fame winner Citizen of the Galaxy

The late great Robert Heinlein has received his eighth Prometheus Awards recognition over more than four decades, with his 1957 novel Citizen of the Galaxy recently inducted into the Libertarian Futurist Society’s Prometheus Hall of Fame.

Robert Heinlein, a drawing (Creative Commons license)

Although Heinlein passed in 1988, his fans are fortunate to have two organizations carrying on his legacy in related and cooperative ways: the Heinlein Trust, established by his wife Ginny after his death, and the Heinlein Society.

Art Dula, Trustee of the Robert A. and Virginia Heinlein Prize Trust, gave an eloquent and informative extemporaneous speech accepting the 2022 Prometheus Hall of Fame award in Heinlein’s name and memory. Like the entire 40-minute ceremony, broadcast and recorded Aug. 13 on Zoom, Dula’s speech is available to watch on YouTube.*

Meanwhile, John Tilden, president of the Heinlein Society, followed Dula in delivering an interesting and insightful second acceptance speech, for which we do have the text, which we share here for posterity:

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Attending cons and thinking outside the box: Part 2 of the Prometheus interview with writer Leslie Fish

Here is the second half of the Prometheus Blog interview with author-songwriter Leslie Fish.

Fish, interviewed by journalist and blog editor Michael Grossberg, won the 2014 Special Prometheus Award for her novella “Tower of Horses” (published in the Music of Darkover anthology) and related filk-song “The Horseman’s Daughter.”

LFS: Did science fiction and fantasy have a major influence on how you developed your views of the world?

Fish: Yes, if only by leading me to think outside the box, and to always ask “What if?”

LFS: How did your anarchist and anti-statist views evolve?

Fish: I learned early on to throw out the muddy ideas of “socialism”… from my observation of the real world.  I saw for myself that in a free society people will voluntarily gather into interest groups to achieve what they want, and no “force-propped authority” is necessary to make them do it.

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Self-reliance, liberty and sf: The Prometheus interview with author-singer-songwriter Leslie Fish

“(In sf fandom), the Prometheus is now considered third place after the Hugo and Nebula.” — author-songwriter Leslie Fish

Here is the first part of the Prometheus Blog interview with Leslie Fish, the Prometheus-winning author and songwriter.
Fish, interviewed by journalist and blog editor Michael Grossberg, won a 2014 Special Prometheus Award for her novella “Tower of Horses” and related filk-song “The Horseman’s Daughter.”

Leslie Fish, playing the guitar and singing her songs (Creative Commons license)

LFS: You’ve said a lot of your stories and songs contain libertarian themes. What attracts you to such themes and what kinds of stories do you find best reflect those themes?

Fish: It’s more a case of the ideas being part of me and therefore coloring all my work.  I’ve noticed the nostalgic medievalism of most published Fantasy stories, and the socialistic assumptions of a lot of Science Fiction, and it tends to annoy me, so I tend to write songs and stories that push in the opposite direction.  I’m surprised by how much of my own work is reactive, in this way.

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A celebration of old and new: The 2022 Prometheus Awards recognize Heinlein, McCarthy novels

The 2022 Prometheus Awards, to be presented Aug. 13 in an online ceremony, will honor “something old” and “something new.”

In a wedding of circumstance and happy coincidence, a first-time Prometheus-nominated author (the “something new” according to wedding custom) has been declared the winner in the Best Novel category, while the golden-age sf author most honored in the four-decade-plus history of this award is recognized anew.

Novelist Wil McCarthy (Photo courtesy of Baen Books)

Wil McCarthy, a prolific sf writer nominated for the first time for this award, has been selected by Libertarian Futurist Society members as winner of the Best Novel category for Rich Man’s Sky.

Meanwhile, the late great Robert Heinlein – a Prometheus favorite – will be recognized for his novel Citizen of the Galaxy, which will be inducted into the Prometheus Hall of Fame for Best Classic Fiction.

Robert Heinlein (Creative Commons license)

Heinlein (1907-1988), now an eight-time Prometheus Award winner, has won more Prometheus awards than any other writer, living or deceased.

Fittingly, Heinlein’s zestful spirit of adventure – championing scientific and social progress against tyranny and oppression and exploring libertarian possibilities of the future – is reflected in both of this year’s winners.

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Rich Man’s Sky: Wil McCarthy’s Best Novel finalist imagines billionaire-led quest for private solar-system development

Introduction: This is the final review in a series that the Prometheus blog has been publishing this spring and summer to highlight the 2022 Best Novel finalists.

This review of Wil McCarthy’s Rich Man’s Sky follows previously posted reviews of the other four finalists: Lionel Shriver’s Should We Stay Or Should We GoKazuo Ishiguro’s Klara and the Sun and Karl K. Gallagher’s Between Home and Ruin and Seize What’s Held Dear.

By Michael Grossberg

Venturing beyond the Earth to explore, colonize and industrialize our solar system has been a dream of humanity – and that dream is beginning to materialize.

Four billionaires play key roles in striving to bring such dreams to life in Rich Man’s Sky (Baen Books, 291 pages), a 2022 Best Novel finalist by Wil McCarthy.

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Seize What’s Held Dear: Karl Gallagher’s Best Novel finalist explores cultural clash of customs, battle for freedom against novel interstellar tyranny

Note: This is the latest Prometheus-blog review of our 2022 Best Novel finalists, following previously posted reviews of Kazuo Ishiguro’s Klara and the Sun and Lionel Shriver’s Should We Stay Or Should We Go.

By William H. Stoddard

In Seize What’s Held Dear, the third volume of Karl Gallagher’s The Fall of the Censor series, the action returns to Corwynt, a planet controlled by the Censorate that the Fieran protagonists visited in the first volume. Much of the story develops in parallel tracks following the situation on the planet’s surface and the continuing struggle in space.

The primary conflict grows out of the Censorate’s basic rule that access to information is to be restricted as much as possible. In a fashion similar to China’s Qin Dynasty, access to historical works is prohibited, and their mere possession is a capital crime.

The result is a totalitarian society of a novel sort, different from those in classic dystopias. Fiera, the planet that opposes the Censorate after a hyperspatial route between them has reopened, has no such prohibition — and for that very reason the Censorate cannot tolerate its survival. Fiera doesn’t offer a model for a libertarian society, but it’s comparatively free and is struggling to preserve that freedom.

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Guess who: What world-famous billionaire reveals he’s a lifelong sf fan and counts Heinlein’s most libertarian novel among his favorites?

 

Guess what world-famous billionaire has revealed that Robert Heinlein’s libertarian sf classic The Moon is a Harsh Mistress was his favorite novel while growing up?

Hint: The billionaire praises the novel, one of the earliest and best known Prometheus Award winners, on his blog.

“When I was a kid, I was obsessed with science fiction… The Moon is a Harsh Mistress was a particular favorite,” he writes.

(Make your guess before clicking on to the next page to see the answer…)

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Heinlein’s Children: Tom Jackson’s fanzine essay on libertarians in sf fandom

Libertarianism and science fiction have been closely connected since their early history, a rich topic often explored here on the Prometheus Blog.

Robert Heinlein, a drawing (Creative Commons license)

Libertarian sf fan Tom Jackson explores their connections anew in his recently published essay “Heinlein’s Children: Libertarians in fandom.”

Published in “Portable Storage,” William Brieding’s sf fanzine, Jackson’s interesting and historically knowledgeable article offers a very readable introduction to the subject for the fanzine’s “The Great Sercon Issue Part One.”

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Dangerous Visions anthology and Reason review highlight Heinlein and other Prometheus winners

By Michael Grossberg

Several leading sf writers whose classic works have won Prometheus Awards are examined in a new anthology about science fiction’s New Wave.

Most notably, Robert Heinlein’s The Moon is a Marsh Mistress and Ursula Le Guin’s The Dispossessed are among the libertarian sf works explored, contrasted and debated in Dangerous Visions and New Worlds: Radical Science Fiction, 1950-1985.

Reason book editor Jesse Walker reviews the anthology of essays while noting its discussions of libertarian writers and libertarian-themed sf in the March 2022 issue of Reason magazine.

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