Introduction: To highlight the four-decade history of the Prometheus Awards, which the Libertarian Futurist Society is celebrating in 2019, we are posting a series of weekly Appreciations of past Prometheus Award-winners, starting with our earliest Best Novel awards.
Here’s the fourth Appreciation for J. Neil Schulman’s The Rainbow Cadenza, following recent appreciations for F. Paul Wilson’s Wheels within Wheels, L. Neil Smith’s The Probability Broach and James P. Hogan’s Voyage to Yesteryear:
Schulman’s romantic and passionate sf drama explores the power of art, the thirst for creativity and the threat to such individuality and self-expression in a future Brave New World dominated by a single world government.
Schulman was prescient and years ahead of his time in envisioning a positive future where gay marriage is normal and legal.
Yet, his complex story portrays a very mixed and disconcerting dystopian future where teenage women are drafted into government prostitution service for three years, clones are treated as inferior and a new underclass called Touchables are hunted for sport.
Continue reading Artistic freedom, creativity, individuality, self-expression, gay marriage, the evils of conscription and dystopia: An Appreciation of J. Neil Schulman’s The Rainbow Cadenza, the 1984 Prometheus Best Novel winner